Monday, April 12, 2010

1945 handbags

The original copy of this article is from the NFAA archives.
Printed January 21, 1945, The New York Times, by Anita Daniel

this copy reproduced from FASA web

circa 1945

Inside Story of a Handbag

Chapters of the mysterious science of bagology which is said to
throw new light on the ways of womankind.

A woman without her handbag feels as lost as a wanderer in the desert. And she wants it large. If she cannot get it in leather-now growing scarce-she will take it in fabric, fur, or even plastic. The handbag is the movable base of her supplies-the depot of her expected needs. These eventual needs may reach out to a degree far beyond any man's power of imagination. A woman's handbag is a mysterious dungeon. It's the key to her real self; the prosaic answer to many poetic conceptions.

A magician does not want to explain his tricks. There is an aura of taboo about a closed handbag. Every woman has an uneasy look if somebody glances into its sacred privacy. A decent man should always tactfully stare at the ceiling whenever his companion opens her bag. He will, of course, have to concentrate on that ceiling pretty often. The typical handbag of a typical woman contains a certain number of fundamental things-plus her own individual touch. It is that individual touch that fills the bag. Some item is pretty sure to roll out the moment the bag is opened.

Every woman's handbag is a lost and found department in itself. It is strange, but things actually disappear there, as by magic. They finally reappear on the surface after three or four investigations and complete pell-mell of the contents. Every bus driver is fatalistically resigned to having a lady barring the passage while searching for a nickel in the depths of her handbag. And every man knows about the two-minute drama ever repeated: "Heavens, I must have lost my watch...(or my twenty-dollar bill, my keys, that important letter, etc.,etc.)!" It usually has a happy ending. Nothing gives a man more self-satisfaction than such an experience. The whole myth of the superiority of men is built on the fact that a man never carries a handbag. Men keep women in eternal dependence by buying them beautiful handbags. What female heart would not melt at the sight of a luscious alligator bag, or soft suede or brocade?

A man carriers everything in his numerous comfortably deep pockets. It is estimated that a man wearing a suit with a vest and an overcoat has twenty pockets. No wonder he can never lose anything!

Women have also adapted pockets to their suits and coats. But the most genuine are just fit to put hands into. The others are good enough for a chiffon handkerchief to peep out of or they are faked. No woman's suit pocket is meant to hold her belongings. Every bulge would endanger the slim line and the smart effect. So women continue to carry handbags. As long as women do not wear men's suits with pockets, they will remain women. And men will continue to feel superior. The first thing Adam purchased for Eve was a handbag. It was his sweet revenge for the apple.

A young man I knew-the sensitive type-once told me that he was about to propose to a girl, when, accidentally, he had a glance into her handbag. It shocked him to such a degree that he spontaneously canceled his proposal. His whole image of the pretty girl had changed after he had seen the untidiness of her powder-dusted, lipstick-spotted handbag. Worst of all, a fruit drop had stuck to the lining.

Money is the thing you will miss most frequently in a woman's handbag. Nowadays it is hardly worth while for pickpockets to steal it, except for the fact that an astonishing number of women carry their precious belonging in handbags. They do it for fear they may be stolen from closets or drawers. That is why we read so often of handbags lost in taxicabs, containing jewels worth thousands of dollars. It is a strange time when women wear junk jewelry around their necks and carry their precious jewelry in the zippered department of their handbags.

Some psychologists think the way a woman carries her bag is characteristic. "Bagology" is quite a science. There is the strap type, the shoulder-strap type and the woman who tucks her bag under her arm. There are a great number of women who hold their bags both by the straps and pressed under the arm.

Seen from the psychologist's angle,
the way a woman carriers her purse demonstrates the entire scale of characteristics, from light-mindedness and generosity to caution and greediness. One analyst warns men against women who keep their bag rolled around the wrist and the hand firmly clasped around the lock.

In the good old times, when the definition of a "lady" covered very definite limitations, it was ladylike to carry as little as possible. In sentimental English novels of the last century, whenever a lady opened her bag it was to give money to the poor. Or to take out a small prayerbook, an embroidered handkerchief or a tiny bottle of smelting salts, as it was considered very ladylike to faint once in a while. Today's ladies have a far more varied program.

The first time I saw Mrs. Roosevelt I was deeply impressed by the sight of her bag. There stood the First Lady, very tall, very straight, very distinguished in her gray tailored suit. In one hand she carried roses that had been presented to her; in the other, her bag. What a bag! It was of dark leather and of tremendous dimension, practically bursting with invisible contents. It clearly spoke of the activities of the First Lady. One glance and you knew the President's wife had a full-time job.


Then 1945

The typical handbag of a typical
woman in 1945 contained:

THEN:
One or two lipsticks
A compact(the won't close)
1 fresh handkerchief
2/3 crumpled handkerchiefs
A package of letters
The laundry bill
3 tickets from the cleaner
1 nylon stocking to be repaired
1 address book
1 pack of cigarettes
3 packs of matches
1 leather picture folder
All ration books (including expired ones)
Several cards with address of a furrier,
a wholesale place for children's coats, a beauty parlor, a graphologist, etc.
2 scraps of paper with telephone numbers
and no names
1 hairnet
1 bottle of vitamins
3 samples of slipcovers
1 fountain pen
2 pencils
1 parcel of V-mail letters covering
several months held by a rubber band.


NOW:
Now

The typical handbag of
a typical woman today.

ATM Card
Cell Phone / Blackberry
Change Purse
Checkbook
Crumpled Tissues
Hand Cream
Hair Brush
Keys
Lip Balm
Nail File
Makeup case filled to capacity
Pens
Wallet and credit cards

One bag is not enough
Our contents spill over into our totebags,
where you will find:
Agenda
Bottled Water
Paperback Book/Magazine
Newspaper
Shoes to change at work
Umbrella

Wednesday, March 17, 2010

I'm Inspired By..... Philippe Genty

Happy Spring Break! Who doesn’t love coming across wonderful surprises like these when you’re doing aimless/curious research at 3am on a holiday? Or, any other random time?

I’ve recently discovered (for myself, at least) the visual theatre visionary, Philippe Genty. I appreciate his incorporation of puppetry, costume, color, lighting, set, crafts, sculpture, movement, sound, everything! in his wordless yet, key word here, visual, theatre.

I could go on about my appreciation for this gentleman’s work and our studies/profession. But I am saving that for the personal statement. :) Gushing, I really love what we get to do...

What are some random gems/happy accidents you've stumbled upon while doing research? And, in addition to our local talented professors and colleagues of course, Who else inspires you?








(photos of Genty's work via all over)

Sunday, February 28, 2010

textile engineering is cool!

just wanted to share this link for this amazing owl fabric.

find it at Craft, 2.28.2010

Monday, February 22, 2010

Big plant.

Here's RobO sculptocoating the big Audrey II.
Monsterous!!!


- Posted using BlogPress from my iPhone

Saturday, February 20, 2010

Friday, February 12, 2010

"Little Shop of Horrors" flower Mock-Up

Really, it's amazing the things I do for my job......

Thursday, February 4, 2010

Tuesday, February 2, 2010

more display boards from last year's SETC




Display board examples

Remember that you need to adhere strictly to the rules that SETC sets down for the display areas. Keep within your space: but you also need to maximize the space you're given.
Below are a few examples with comments about each one.

A good example of a board with a concept, research and the renderings.
Would be a good display, if it was on a board--the walls will NOT be an option for your display.

A messy, un-thought-out display. "oh look, I found this little table, cuz the rest of my renderings wouldn't fit on the wall..."
Good example of a board: It has swatches, research, renderings, concept statement, photos, etc.
Another good example, but unlike the above and first pic, there's not enough surface area--the others have at least twice as much room for stuff!
Good display, but it cannot stand on its own. It needs a wall, which you are not always provided.
Interesting display, but maybe too much going on--(can it be too interesting?) a little messy, because people will go and touch your table stuff, and move it around. One could easily remove a few of the renderings, and insert the research on the board to make the display more clean.
Again, you will not be provided a wall

Thursday, January 21, 2010

interesting article involving hatmaking from 1906

THE CHEMISTRY
OF
HAT MANUFACTURING

LECTURES DELIVERED BEFORE THE HAT MANUFACTURERS' ASSOCIATION
BY
WATSON SMITH, F.C.S., F.I.C.
THEN LECTURER IN CHEMICAL TECHNOLOGY IN THE OWENS COLLEGE, MANCHESTER AND LECTURER OF THE VICTORIA UNIVERSITY
REVISED AND EDITED
BY
ALBERT SHONK
WITH SIXTEEN ILLUSTRATIONS

Friday, January 15, 2010

"Bras For A Cause" Gala

The Lemon Street Studio would like to personally invite you to the opening preview and Gala night of “The Bras For A Cause, Art Stitching Lives Back Together” contest and silent auction. We have approximately 80 bras entered into the show and they come from local, out of town, and out of state artists. The "Art Bras" will be judged Friday afternoon by internationally known quilter, Joan Shay, and our very own Chairman of the Putnam County Board of Commissioners, Chip Laibl. The judging will consist of Best of Show, 1st place, 2nd place, and 3rd place. Everyone will receive a ribbon for entering the show.

It has been an amazing adventure to see what all takes place when you do something for a good cause. The “Art Bra" show proceeds benefit the Florida Oncology Patient Assistance Foundation. The FOPAF is a resource for qualified patients diagnosed with cancer or life-threatening blood disorders, offering short term financial assistance by helping them with the hardships of their daily living expenses caused by the burden of medical cost while dealing with their disease.

The Gala is from 7:00 PM - 9:00 PM, Friday, January 15, 2010, at the historical Larimer Arts Center, 216 Reid St, Palatka, FL. There will be refreshments served and the silent auction of the "Art Bras" and several nice gift baskets will begin at 7:00 PM and end at 8:30 PM. Come join the fun and have a good time looking at “The Bras for a Cause”!!!

Angi's "Bra for a Cause"

 

 
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Andy Jean's "Bra for a Cause!"

 

 

 

 
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